Problems start piling up like trash during a sanitation strike in Gotham City when a new serial killer leaves clues and more duct tape than a MacGyver episode. To clean up the city streets, a masked detective, who whispers a lot and stares dramatically, teams up with a woman who steals cats, a cop with one good eyebrow, and a butler who looks like he’s really had enough. Will Gotham survive its most recent coordinated attack from a man in green saran wrap who leaves more riddles than a crossword puzzle and keeps confusing the living hell out of everyone as even crime lords begin getting nervous? The city waits to see if this mod squad group of misfits can crack the case using their frowns, fists, and interpretive mood lighting.

In what could have been the ultimate publicity stunt for skin care, a quiet Maryland seaside town’s annual celebration is turned upside down as people burst into pustules like it’s a clearance sale at the contagion outlet. As mutated aquatic bugs with the personality of a lawnmower decide to crash the party, thanks to some radioactive chicken poop and light municipal negligence (you know, small town stuff), these little monsters sneak in through the water supply. As the mayor insists everything is fine, his electorate can’t seem to stop vomiting, panicking, and developing boils the size of meatballs. The uninfected realize there’s only one thing left for them to do: try to record the outbreak on every digital device available, which is now standard emergency protocol. Will these amateur YouTubers get their message out to the public? Will they survive to see another day? And most importantly, will they need to cancel the parade?

When outsiders from the town of Bright Hope trespass on native’s sacred land, disturbing the balance of their culture, and taking the life of one of their own, the local canibals tribe is forced to retaliate by capturing citizens and the wife of a local rancher (Lili Simmons). Declaring the natives monsters, Sherif Hunt (Kurt Russell) rounds up a posse to pursue a mission to rescue their taken residents but are over come by the native population as they use the local town’s folks flesh to sustain their tribe and their bones as tools and weapons used against them. In a battle of survival the tribe attempts to find a way back to living peacefully, in their remote caves, in the silence, in their old ways.

As the golden boy of Olympus, and ultimate nepo baby, Perseus (Harry Hamlin) coasts through life on his divine connections until fate rudely intervenes. As the privileged son of Zeus (Laurence Olivier), he’s handed a grand destiny—but when the jealous gods throw a tantrum and doom his mortal home, he’s forced to actually do something about it. Armed with celestial handouts like a magic sword, a shield that literally shows him the answers, and even a robotic owl (because why struggle when Dad can just rig the game?), Perseus embarks on a quest to slay the monstrous Kraken. In the end, he proves that even a well-connected demigod still has to show up when the chips are down—especially if he wants to keep the family name as legendary.

She's the ultimate tough and sexy heroine. She's SouL Cinema superstar Pam Grier, and whether delivering her justice with a shotgun, a razor or just her bare hands, she doesn't miss a beat in this "smashing, no-holds-barred tale of retaliation" (Variety)! Nobody ever commandeered the screen quite like Pam Grier...and Coffy "couldn't be better! [It's] one of the most entertaining movies ever made"(Quentin Tarantino)! Greer is Coffy, nurse by day and avenging angel by night. When she discovers that her little sister has been doped up -- and freaked up -- by a greedy drug pusher, she not only puts an end to his miserable days, but she vows to follow his trail of corruption up to the top -- the very top. But what Coffy doesn't realize is that all is not as it seems -- and that the leafy green behind the pushers' scene just may come from someone she knows!

When a horny fish man finds a sexy primate woman (Julie Adams) swimming in his lagoon he will stop at nothing trying to woo her into staying. As two jealous scientists, Dr. David Reed (Richard Carlson) and Dr. Mark Williams (Richard Denning), seem willing to do anything to stop the romance and capture the beast with their zany schemes for their own glory, the fish man has other ideas in mind. Will the scientists get their glory? Or will love at first sight persevere for the two star-crossed lovers?

Donnie seems like your average teenager - going to high school, riding his bike, making new friends. But when his newest friend, Frank, is imaginary and a six foot bunny with a metal mask that talks, his world is turned upside down as he learns that he’s possibly a conduit for inter-dimensional collapse. This is no Easter Bunny handing out candy, but rather apocalyptic messages in riddles about wormholes and doom, without a jellybean in sight. When Frank tells Donnie that the world will end in 28 days, Donnie responds the way any teenager would: he floods the school, burns down a motivational speaker’s house, and yells at Patrick Swayze. Meanwhile, time loops, parallel universes, and existential dread are all happening simultaneously - like attending your high school reunion after eating a bag of mushrooms. Will Donnie sacrifice himself to reset the timeline? Save his girlfriend? And possibly preserve the space-time continuum? Or will he just chalk it up to a really off week?

It begins with General Ripper (Sterling Hayden) - ah, such a name! - who, fearing a communist conspiracy in his bodily fluids, launched a nuclear strike without permission. Hilarious! Of course, until the politicians panicked, the military fumbled, and are - heh heh - offered... solutions. Logical ones! But will they take it? Ten women per man! A glorious underground civilization, immune to the bomb and... biological boredom. Or they listen to reason? Or, Nein! Boom! Will everything going up in atomic fireworks? Can someone recall the bombers in time? I ask you—why not embrace it? Why not ride the bomb like a cowboy and learn to love it? - ahem! - Mr. President (Peter Sellers), I can walk!

On his last day on the job before retirement, Sergeant Martin Prendergast, who no one likes, gets assigned the case no one else cares about. When a disgruntled, ordinary man leaves his car in the middle of Los Angeles traffic and begins saying things people out loud the people are thinking, inadvertantly advocates for breakfast being served all day at fast food restaurants. Pendergast investigates the cse all day instead of phoning it in and collecting his pension the following day as he realizes that someone else will need to deal with his mountains of paperwork the case will have after he retires.

It starts as a nice evening of classical music, there’s no plot - just eight musical numbers, some dancing mushrooms, flying horses, and a demon the size of a city block doing jazz hands on a mountaintop. Then a wizard mouse steals a janitor’s hat and creates a mop army that nearly drowns the orchestra. At one point, hippos wear tutus and perform Swan Lake. Fantasia is what happens when someone gives Beethoven, a paintbrush, and several buckets of hallucinogens to an animation studio. It’s like being hit in the face with a culture cannon loaded with ballet slippers, lava, and existential dread. The music? Beautiful. The visuals? Confusing. The experience? If a broom starts walking around, get yourself a Roomba.

It all started with a routine mission to a distant planet… a robot offers someone a martini, a scientist has the brain of a supercomputer, and someone’s subconscious starts vaporizing people - space stuff. But as things progressed the crew of starship C-57D who landed on Altair IV, expecting a few fossils and maybe a nice tan, instead finds Dr. Morbius (Walter Pidgeon) - part-time linguist, full-time Krell groupie - and his daughter Alta (Anne Francis), who was allergic to pants and personal boundaries. The crew soon discovers this Dr. has accessed  ancient alien tech so advanced, it makes microwave popcorn seem like witchcraft. And that’s when things start to go wrong. Badly. As people begin to disappear, lasers fly. Meanwhile, the crew tries not to trip over Robby the Robot, who makes a mean Manhattan but can’t catch the Dr.

In the end, will they learn two most important things about space travel?

1. Never trust a man who calls himself “the sole survivor.”

2. The scariest monsters are either the ones in your head or pants - especially if your head has a degree in philology and unresolved daddy issues - and his daughter doesn’t wear pants.

It’s the story of a man (Ryan Reynolds)… who discovers he’s not a man… but a guy… a guy who’s named Guy… a guy who’s a video game character… which explains why he never blinks. As lives his “life” in a city where explosions happen hourly and nobody questions why a man in a pink bunny suit is parachuting into traffic, he puts on a pair of sunglasses and suddenly sees the world for what it is: a video game full of glitches, weapons, and people teabagging each other for no reason. When he meets a mysterious woman (Jodie Comer) in leather, he finds out his whole life is code, and decides to become a hero—without cheat codes. Meanwhile, the evil tech CEO (Taika Waititi) wants to shut the whole thing down faster than a busted vending machine at Gamescom. Will Guy prove you don’t need to be real to make a difference? Or that you just need heart, courage, and an unlimited respawn counter?

When 17 vessels explode and sink near Odo Island, Professor Kyohei Yamane, his daughter Emiko and the Marine Hideto Ogata head to the island to investigate. Soon they witness a giant monster called Godzilla by the locals destroying the spot. Meanwhile Emiko meets her boyfriend, the secluded scientist Serizawa, and he makes she promise to keep a secret about his research with oxygen. She agrees and he discloses the lethal weapon the Oxygen Destroyer that he has developed. When Godzilla threatens Tokyo and other Japanese cities and the army and the navy are incapable to stop the monster, Emiko discloses Serizawa's secret to her lover Ogata. Now they have to convince Serizawa to use the Oxygen Destroyer to kill Godzilla.

Feeling as if he unfairly cheated death too many times, Shikishima, a surviving Kamikaze pilot, is attacked on Odo Island along with many war plane engineers by a gargantuan monster. After the engineers die because of Shikishima failing to distract the monster, an overwhelming amount of guilt weighs on him, especially after a homeless woman and a baby move into his home when he returns. Shikishima, now on a personal mission, teams up with a large group of veterans to finally take down the monster known as Godzilla.

Not in this for thrills but because the best at what we do Neil (Robert De Niro), Chris (Val Kilmer), and Nate (John Voight) run clean, precise, and disciplined outside the boundaries of society with their simple code -. No attachments. No heat.

Their new job, that will set them up for good is the big one—a downtown L.A. bank will be their last before retirement until detective Vincent (Robert De Niro), starts breathing down their necks. This sharp, relentless investigator, lives for the chase. Doesn’t sleep. Doesn’t stop.

With Johnny Law breathing down their necks the group of tight private financier colleagues realize they are being pulled back by their vices: women, money, habits, revenge.

Will the gang’s retirement plan succeed before Vincent catch up to them? Or will they need to walk away from everything—in thirty seconds flat and get day jobs?

The Soviet Union is shocked when one of their submarine captains with a Scottish accent runs off with their newest nuclear sub. Not thinking things through, Marko Ramius (Sean Connery) has had it with communism and lousy food in Russia and decides to defect to the United States without telling anyone his plan. With a rogue stealth nuclear submarine in the water, the U.S. government goes on a high alert and only a nerdy librarian with a gun, Jack Ryan (Alec Baldwin), can figure it all out! With torpedoes, betrayals, fake cookouts, and so many sonar pings than dolphins start to complain, Jack must convince the powers that be that this is not the start of WWIII, but is simply that Marko has chosen his wedding anniversary to his late wife as a good time to defect to the United States. Will he convince them in time? Will courage, diplomacy, and a complete disregard for standard protocol resolve the situation? Or will the world go up in a mushroom cloud of smoke? But one thing’s for sure - always read dust covers of foreign biographies and keep your periscopes clean.

When a man (Muse Watson) out on a summer night’s stroll is hit by four overprivileged brats (Jennifer Love Hewitt, Sarah Michelle Gellar, Ryan Phillippe, Freddie Prinze Jr.) with their car and decide to drown him instead of taking him to the hospital, he decides to take a year to recuperate and hatch his plan for revenge. But as the tide always comes back in, this summer…he’s reeling them in, one by one. As the attempted murderers return from college to attend pageants, parties, and pretending their consciences are clean, this fisherman starts working outside the law for justice. As our attractive and suspiciously well-groomed criminals find themselves being stalked by a raincoat-wearing lunatic with a hook for a hand and a serious grudge - he puts his plan into action! Will they survive? Will they stop making terrible decisions? And most importantly… will anyone ever figure out what, exactly, they did last summer?

Mayor Vaughn (Murray Hamilton) is trying to protect his town of Amity, a summer tourist town where beaches support the economy. Hot shot New York City cop Chief Brody (Roy Scheider), shows up and starts shouting "shark!" when a girl turns up dead. To save his constituents and without any real proof, Vaughn decides to not shut everything down based on a hunch.

But hindsight’s 20/20 and more attacks happen. As the desperate Mayor brings in experts from the Oceanography Institute, Hooper (Richard Dreyfuss), sends out fishermen. When all they come back with a sunken boat, a chewed-up story, and the wrong shark, the Chief pressures him into hiring an old sea kook Quint (Robert Shaw) to kill the shark. If the Mayor can keep the money flowing, and stop the panic he might still be able to save August tourism and get re-elected.

After being successfully re-elected following the events of summer 1975, Mayor Vaughn now needs to protect the real estate investors that supported his re-election campaign by downplaying more shark attacks. Once again Chief Brody is up to his old tricks, yelling “shark!” all over the island and shooting up the beaches. As this new menace looks to really stick it to the Chief, it decides to follow the makeshift regatta his sons are in with their horny teenage friends. Will the shark get them before they “get some”? Will Chief Brody be eating fish for dinner all week? and will we finally learn the answer of helicopter vs. shark? The answers just may surprise you.

When city people lose their minds the second they see a big lizard with teeth, Mrs. Delores Bickerman (Betty White) needs to protect her wildlife friend from the outsiders. After a sarcastic guy, a lady from the museum who thinks she knows everything, and a nice sheriff start blowing up half the lake trying to catch the animal and getting half of Maine’s wildlife division involved - they realize this “friend” is a giant crocodile! Will these idiots they brought in be able to sedate and capture the beast? Or will Mrs. Bickerman be stuck with an emptiness in her heart she hasn’t felt since she fed her husband to the amphibious reptile? ("he was getting on my nerves anyway")

As the frontier nears collapse and bring an end to the galactic war, Lord Kril (Dan Mason), commander of the Ko-Dan Armada, stands on the brink of total victory. The fractured and weak Star League with its defenses outdated look to be defeated when Centauri (Robert Preston) gains Atari like technology. As Centauri executes his experiment in recruitment, from the backwater primitive planet Earth a boy named Alex Rogan (Lance Guest), plucked from his trailer park obscurity as a "Starfighter" to outwitted the Ko-Dan Armada after completing his 8 bit drone training program. As the traitorous Xur (Norman Snow) feeds intel to Kril, his armada poised to strike and end the war. Will this "Starfighter" outwitted the armada and destroy their forces because he got his initials on a arcade game and no actual training? Or will the galactic wars finally come to en end?

When his partner is eaten to death by a shark that isn’t even considered real, ever-fading legend in the twilight of his credibility oceanographer Steve Zissou (Bill Murray) makes it his mission to capture the elusive perpetrator on film and prove its existence. Steve wagers what remains of his reputation on his mythical  “Jaguar Shark”: not so much an expedition as it is a slow-motion shipwreck; a budget-less revenge tour aboard a rusting death trap with his motley crew, manned by unpaid interns, a heavily armed German, and a dolphin crew that never follows basic commands. Steve brings along a boy who may or may not be his son - he isn’t sure - and a journalist who slowly realizes she is embedded in a personal breakdown. While Steve attempts to realize his dream and outmaneuver pirates, unpaid debts, his ex-wife and longtime nemesis Captain Alistair Hennessey (Jeff Goldblum), we wonder if his expedition will succeed, or if it’s just another fish story.

When a kidnapped orphan child, Laura (Dafne Keen), suddenly enters the life of her alcoholic father, Logan (Hugh Jackman), it completely upends his barely-functioning assisted living setup with his equally crumbling companion. Now just scraping by, with almost enough money saved up to realize his dreams of retirement, Logan and his geriatric sidekick Charles (Patrick Stewart) finds himself reluctantly road-tripping to Canada to reunite Laura with her teenage friends. But hot on their heels are the ruthless operatives who want Laura back who and will stop at nothing. As they make their way north across the US, ruining  everyone’s lives they come in contact with and they leave chaos in their wake, Logan realizes Laura just might be the one thing he didn’t know he’s been missing all his life.

It all seemed like a utopian society where no one grows old because they murder you at thirty. This brave new world is filled with all the futuristic amenities for people who live in a big plastic dome filled with shopping malls, holograms, and jump suits so tight it feels like a flash mob pilates class might break out any minute. But isn’t all it’s cracked up to be. When the citizens of the dome city mall reach their thirtieth birthday - it’s no party. They’re sent to a ceremony called “Carousel” which promises “renewal” but mostly involves getting zapped to dust while floating. Logan 5 (Michael York) is a professional Sandman who is tasked with hunting down those who don’t attend their birthday party to be exploded. When he meets a woman (Jenny Agutter) who’s dressed like she works at a 70s themed disco yogurt bar he starts asking questions like “What if being thirty isn’t a death sentence?” and “Why is everyone dressed like this?” And decides to escape the city. Outside the city he discovers a whole new world called “outside.” A place that has dirt, no food courts and an old man with cats on his head that he didn’t think could exist. Will Logan see his thirty-first birthday and bring the outside in? Or bring glamping back in the year 2274?

After getting a job in the mill out of charity, oddball chemist Sidney Stratton (Sir Alec Guinness) uses the company’s equipment to create a suit that never stains, never tears, and never wears out. The company quickly realizes that their main product can no longer rely on obsoletism to sustain their business - no one will ever need another suit again. Ever! No repeat customers. No turnover. No textile industry. In an effort to protect the company workers, the employee union bands together with management to shut down this rogue scientist. It’s only a matter of time before word gets out about his invention - will they be able to save the economy before it’s too late?

Ack! Ack! In the middle of Tom Jones’ (Tom Jones) Las Vegas residency - sold-out shows, backup dancers, the works - flying saucers arrive and steal his thunder. As the gullible humans believe the martians came in peace, turns out, their idea of peace involves turning people into skeletons, leaving the singer to playing to empty concert halls…But the show must go on! In an attempt to fulfill his contractually obligated concerts the singer takes matters into his own hands to save the earth and his career. In the end, will it be firepower or music that saves the day?

Sam (Sam Rockwell) is a regular space working guy contracted for Lunar Industries and trying to wrap up a three-year solo stint harvesting helium-3 on the moon. But when his rover crashes, he wakes up to find out he isn’t alone on Sarang Station - he’s already there! Sam learns that he has been part of a fully authorized, perfectly humane, participant in the Contractual Lunar Duplication Initiative, which has been duplicating a man repeatedly to avoid paying union wages.  With only a cloned workforce, memory tampering, and artificially intelligent robots with suspiciously soothing serial killer voices... he’s unable to successfully navigate the company’s HR department and is forced to make his way back to Earth to file a formal complaint. Will he make it back before the office closes at 5? And next time he enters into a contract with SleepTech Bioresearch - will he read the fine print? And will GERTY (Kevin Spacey), the station’s AI, who did not violate any Asimovian protocols, be promoted to Regional Manager of Ethics and Office Morale?

Robert Altman's NASHVILLE is an explosive drama and a human comedy 1 that delineates and interweaves the lives of 24 major characters during five days in the country music capital of the world. Although its setting is Tennessee, NASHVILLE is a much broader vision of our culture, a penetrating and multi-level portrait of America at a particular time and place. Five Academy Award® nominations including Keith Carradine's Oscar -winning song "I'm Easy.”

After climate change causes an earthquake beneath the spring break town of Lake Victoria. Scientist Carl Goodman (Christopher Lloyd) discovers something is wrong- terribly wrong! The quake has opened that underwater cavern filled with starving piranhas who have had their natural food supply cut off hiding deep beneath the Earth's crust for two million years.

Two. Million. Years. Only surviving extinction by becoming cannibals. These are not modern piranha, they’re Pliocene piranha. … prehistoric death machines! Now, spring break has turned into a floating buffet, and these gastronomically curious creatures are ready to sample everything on the college cafeteria menu and expand their palates!

Cornelius (Roddy McDowall), a renowned archeologist, just wanted to study the past. But when the past comes crashing back to earth, his world is turned upside down, confirming his wildest theory - that the revelation that the Sacred Scrolls taught us, that apes have always ruled and man has always been primitive - is challenged when a man named Taylor (Charlton Heston)that can speak, think, and challenge, frightens everyone. Cornelius must now prove his excavations confirm a different story - tools… bones… toys… are remnants of another civilization. Human civilization. Will Cornelius help Taylor find his way to the Forbidden Zone and settle once and for all whether the Sacred Scrolls or science hold the secrets to the world’s past?

This film jumps around more than a caffeinated squirrel in a trampoline factory. One minute you’re watching Vincent (John Travolta) take his boss’s wife out for milkshakes and impromptu resuscitation, the next you’re in a basement watching a gimp and wondering where all your life choices went wrong. It’s the story of a hitman, a boxer, a briefcase, a foot massage, and several unfortunate misunderstandings involving bullets and upholstery, but I was on the edge of my seat like I accidentally sat on a loaded pistol. In the end, there's redemption, revenge, dancing, divine intervention, and Jules (Samuel L. Jackson) quoting the Bible with the intensity of a man who's just found out his church picnic was canceled. You’ll laugh, you’ll cry, you’ll check your wallet… it will be gone.

The Who’s classic rock opera Quadrophenia was the basis for this invigorating coming-of-age movie and depiction of the defiant, drug-fueled mod subculture of early 1960s London. Our antihero is Jimmy (Phil Daniels), a teenager dissatisfied with family, work, and love. He spends his time knocking around with his clothes-obsessed, pill-popping, scooter-driving fellow mods, a group whose antipathy for the motorcycle-riding rockers leads to a climactic riot in Brighton. Director Franc Roddam’s rough-edged film is a quintessential chronicle of youthful rebellion and turmoil, with Pete Townshend’s brilliant songs (including “I’ve Had Enough,” “5:15,” and “Love Reign O’er Me”) providing emotional support, and featuring Sting and Ray Winstone in early roles.

When young woman - medical student, surfer, and part-time existentialist goes to a secret beach in Mexico for closure on her trauma, she ends up paddling into the feeding grounds of a 25-foot aquatic death torpedo with trust issues. After catching a few waves, making emotional eye contact with a dolphin or two - bam! A great white shark with an attitude shows up, apparently, guarding a rotting whale carcass like it’s Fort Knox. Our nose blind heroine to rotting whale flesh seeks refuge on a rock, bleeding, sunburned, and talking to a wounded seagull named Steven. The local surfers? Shark snacks. The drunk guy on the beach? Shark hors d’oeuvre. It’s a seafood massacre with no cocktail sauce in sight. Will she find a way escape before the tide comes in? Or will she survive, get closure, and learn some valuable lessons about the ocean: always swim with a buddy, never trust a dead whale, and if your beach doesn’t have Wi-Fi, leave.

When an archery accident… And a drowning… And the beehive-in-a-bathroom stall maneuver… goes beyond run of the mill summer camp hijinks at Camp Arawak, the top suspects include: a disgruntled cook, a lifeguard with sideburns shaped like murder weapons, and puberty. One by one, campers and staff start dropping like flies in increasingly creative ways - including a curling iron-related incident that, frankly, defies explanation and several laws of physics. Camp can be a magical experience - full of bonding, boating, and occasionally discovering that your bunkmate is an emotionally unstable avenger with a penchant for theatrical endings. Will the counselors ignore the obvious quiet one? Or tempt fate and hold a talent show in the woods after dark?Description goes here

Everything seemed normal - just until it didn’t… a group of teens entering the woods for rehabilitation; local drug dealers using steroids to boost their weed crop; and gooey cocoons popping up in the forest. But we learn quickly that troubled teens, enhanced pot farms, and Mother Nature start biting back when eight legged parasites get involved with drugs. If science has taught us anything it’s that ticks, ‘roid rage, and the munchies don’t mix, leading to giant mutant arachnids the size of meatloaf with anger issues. One of the teens, Tyler (Seth Green), discovers that giant ticks are no joke; they burrow under your skin, lay eggs in your spine, inhabit your body like an AirBNB and burst out of your body during dinner, ruining a perfectly good camping trip. Will the rest of the troubled teens panic? Or go through the ultimate team building weekend only coming out with  trauma, bite marks, and in one case, half a counselor - or possibly less (but we’re trying to stay positive and are rounding up)? Or will these teens come back rehabilitated enough to become productive members of society for Corporate America? Don’t do drugs kids.

Have you tried restarting it? When the U.S. government starts managing their military strikes with an A.I. program named after a fast food hamburger, all hell breaks loose as a teenage kid (Matthew Broderick) on dial up is able to hack into the system. As the hacker continues to play what he believes is just a game of Global Thermonuclear War to impress a girl (Ally Sheedy), he nearly turns Colorado into a microwave burrito, generals begin shouting, scientists start pacing, and the vending machine stops working - making military morale lower than ever. Now the only way to stop the apocalypse is to teach the computer about tic-tac-toe, because nothing says “national security” like a game you outgrow in kindergarten. Will they get three in a row this time? Or just the end times?